Andrea et Giovanni Gabrieli ont marqué non seulement leurs élèves, mais une bonne partie des compositeurs de musique sacrée du XVIIe siècle. De Schütz à Galuppi en passant par Legrenzi, Caldara, leur influence s'est étendue aux grands centres de la musique religieuse: Venise, Munich, Salzbourg et jusqu'au nord de l'Allemagne.
Article parsemé de nombreuses écoutes d'extraits d'oeuvres.
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Giovanni Gabrieli created the Venitian polychoral style. However all
his compositions are not so ample. Some are in the classical XVIth
century classical polyphony, and in this matter he borrowed from
Orlando di Lasso, whom he had met in Munich, and not from the Roman
schola. Comparative extracts.
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Biographic notice with the article about The influence of the Venetian schola and of the Gabrieli on their time.
Motet Heute ist Christus geboren – Extracts from the Musikalische Exequien
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Why  should one write new polyphonies when there are so many around already ?
There are many indeed. For instance Palestrina wrote many motets based
on the texts of Temporal masses.. However, who has heard of them ?
Palestrina’s total works, in 32 volumes, do exist, as published by the
Italian Institute for Historical Music, but they are not for sale.
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