The 4-voice
mass for the funeral with symphony is the latest of Charpentier’s three masses for the funeral, which he composed in the mid-1690s, as an order from the Jesuits in Paris. The mass follows a symphony which was likely to be played as the coffin was brought in processionally.
In accordance with the French custom, Charpentier composed a motet with a personal tone, using the
Pie Jesu text at the Elevation (in the absence of a choir, the organist had to improvise).
The
Nativity Canticle is a sort of a pastoral, which might also be named a Christmastide oratorio
. The Night evokes the shepherds’ vigil before the Angel announces the birth of Jesus to them.
Psalm 87 is a call for help. Charpentier expresses suffering through sometimes discordant intervals, thus entwining tragedy and hope.
Then the
Salve Regina adoptes the Gregorian melody in tone 1 ; Charpentier takes the greatest advantage of the stereophonic possibilities of the divided choirs.
Charpentier at his best. With a varied repertory to preclude boredom. Splendid interpretation by the Purcell Choir. A worthwhile disc.
Contents
-
Second répons des Matines du Jeudi-Saint
- Messe des morts: Kyrie
- Christe
- Kyrie
- Dies irae
- Tuba mirum
- Quid sum miser
- Quaerens me
- Oro supplex - Pie Jesu
- Sanctus
- Elévation: Pie Jesu Domine (H. 269)
- Benedictus
- Agnus Dei
- In Nativitatem Domini Canticum (H.416): Praeludium
- La Nuit I.
- La Nuit II.
- La Nuit III.
- Psalmus Davidis 87 (H.207): Domine Deus salutis meae
- Posuerunt me
- Et ego ad te, Domine clamavi
- Salve Regina à trois chœurs (H.24)
- Ad te clamamus
- Eja ergo, advocata nostra
Duration: 60'25
Extracts
Track 2
Track 6
Track 8
Track 9
Track 10
Track 19
Track 21